It’s called “Calendargate,” and it’s raising the question of what — and whom — the right-wing war on “wokeness” is really for.

While most people were enjoying the holidays, extremely online conservatives were fighting about a pinup calendar.

Last month, Ultra Right Beer — a company founded as a conservative alternative to allegedly woke Bud Light — released a 2024 calendar titled “Conservative Dad’s Real Women of America 2024 Calendar.” The calendar contains photos of “the most beautiful conservative women in America” in various sexy poses. Some, like anti-trans swimmer Riley Gaines and writer Ashley St. Clair, are wearing revealing outfits; others, like former House candidate Kim Klacik, are fully clothed. No one is naked.

But this mild sexiness was just a bit too much for some prominent social conservatives, who started decrying the calendar in late December as (among other things) “demonic.” The basic complaint is that the calendar is pandering to married men’s sinful lust, debasing conservative women, and making conservatives seem like hypocrites when they complain about leftist immorality.

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    6 months ago

    This is the best summary I could come up with:


    Calendargate raises the question of what the war on “wokeness” is for: freeing conservatives to have raunchy fun without fear of left-wing censorship, or imposing a new vision of right-wing virtue in place of the reining liberal cultural ethos?

    From evangelical film studios to right-wing literary imprints to borderline scammy survival kits, there’s a long and storied history of products being marketed specifically to conservatives as counterweight to what they see as the unacceptably liberal mainstream.

    So while both Barstool and social conservatives groups might be comfortable voting for Trump and his fellow Republicans to fight against “wokeness,” they have wildly different views of what an ideal society might look like — including the kinds of cultural products they want to consume.

    In a 2023 column, the New York Times’s Jane Coaston traced it back to a debate between William F. Buckley, the patron saint of movement conservatism, and Hugh Hefner, the founder of Playboy magazine.

    In 1966, Hefner appeared on Buckley’s television show Firing Line to defend a political doctrine he defined as “anti-puritanism” — the idea that “man’s morality, like his religion, is a personal affair best left to his own conscience.”

    “The narrow ideological frame that the right operates in permits only a long, unending line of ‘conservative alternatives to [X],’ reproducing the values and animating assumptions of the dominant culture with a thin coat of right-wing policy priorities painted on top,” he argues.


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