• bulwark@lemmy.world
    link
    fedilink
    English
    arrow-up
    0
    ·
    1 month ago

    Personally, I’m partial to a slow burn horror movies. I don’t mind jumpscares if they serve a purpose other than to startle you. For example in Hereditary, one of the jump scares is the mom driving alone in her car and she hears her dead daughter make her signature mouth click sound. That startles you, but also lets you know the daughter may not be gone. As opposed to a generic jumpscare like a cat jumping out of a window with a dramatic music sting.

    My all-time favorite horror movie technique is a lingering camera after the dialogue and characters leave. Like even if they don’t show anything it makes me uneasy. I don’t know what that’s called but it’s so good if the director does it right.

    • ours@lemmy.world
      link
      fedilink
      English
      arrow-up
      0
      ·
      1 month ago

      Hereditary was also so good at having scary, weird things in the background. Instead of having a music sting to accentuate them, it leaves it to the viewer to notice something creeping in the shadows and I find that more effective at building dread.

      • bulwark@lemmy.world
        link
        fedilink
        English
        arrow-up
        0
        ·
        1 month ago

        Oh yeah, The Witch was great. Period piece horror can be hit or miss, but that one hit it out of the park for me.

    • BrundleFly2077@sh.itjust.works
      link
      fedilink
      arrow-up
      0
      ·
      1 month ago

      I Am The Pretty Thing That Lives In The House was really, really good at this… although, maybe, not much else.

      The Last Will & Testament Of Rosalind Lee did it really well too.