Clerks, because when I was 22 years before I ever saw that movie I to ran my convince store just like that. Also totally relate to the crap customers you deal with in that setting.
Did you see Clerks 3? It is no way up to the original, but it was enjoyable for me. It seemed more like a therapy sess/love letter from the cast. Depending on your age, it might be a nice ending.
I loved Clerks 3. I feel like people who set higher expectations for it (and for Reboot) did themselves a disservice.
Airplane!
Withnail and I. Ludicrously quotable.
‘I have been called a ponce…’
The Big Lebowski
Fury Road.
My previous best film was Mad Max 2.
So you like Fury Road over Mad Max 2? I’m the opposite.
It’s still Office Space.
Damn it feels good to be a gangster
I’ve been wanting to rewatch. Nice.
Favorite is difficult and changes over time. But it’s gonna be one of these:
- The Big Lebowski
- Monty Python and the Holy Grail
- Clerks
- Tron
- Airplane!
- Die Hard
- Escape From New York
Now I think The Pianist is the best movie of all time, which is a different thing, but that newer movie 1917 sure competes.
Were you born between '78 and '83?
Have no idea why 1917 was less commented than Dunkirk. The former is a masterpiece and the latter is just bad
That music drop.
That whole scene is so well made. The music, cinematography and plot all culminate in that beautiful but still twisted moment. Brilliant!
Grammas boy
The Mummy (1999)
Jupiter Ascending
Matrix
To me, nothing will EVER top the magic of Smokey and the Bandit.
Literally one of Hal Needham’s and Burt Reynold’s greatest works to date. The plot is very simple: The Bandit accepts a challenge set by Big and Little Enos, which is to trvael down to Texarkana, TX to illegally bootleg 400 cases of Coors, and deliver them back to Atlanta, GA, all within a 28 hour time limit. This film’s plot actually makes a lot of sense when you think about US laws of the time. Bootlegging laws were much more stricter back then, especially in Texas. Taking beer east of Texas was considered as bootlegging, and it would have severe consequences for anyone who was caught doing it. So, this film’s plot is actually based off of the real US laws of the late 70s. It only adds to the authenticity. Laws since then have gotten much more leniant, but they are still made to keep people in check from time to time. It’s almost interesting to see the changes from the late 70s to now. It was like a completely different world entirely, and that authenticity only made the film more special, since we got to see the relics of a by-gone era of the United States. I mean, just look at the set comparisons on YouTube. It’s like it became a whole diffrenet world overnight.
Then, you also have the AMAZING and WONDERFUL country soundtrack composed by the one and only Jerry Reed. He actually stated himself that the film, originally, did not have a music score when he was pulled in as the composer, and the film was nearly ready to be released. So, within a short time span, Jerry Reed composed an entire film soundtrack in such a short timespan, and gave us one of the most legendary pieces of country music in the form of “Easttbound and Down”. But that’s not it. Jerry would also make “Westbound and Down” as well, which would prove to be quintessential to the film’s plot. You see, in the film, when they are heading down to Texas to get the beer, they are going westbound, and you hear “Westbound and Down” playing as a result. This is during the very beginning of the journey. And when they are on the freeway passing by a truck convoy, they are heading back to Georgia, which means they’re going eastbound, and that’s why you hear “Eastbound and Down”, which plays MUCH later into the journey. It shows which direction they are traveling across the US at that thme; “Eastbound and Down” playing signals they are nearing the end of their journey, and “Westbound and Down” means the journey has just begun. All in all, that is some truly EXCELLENT soundtrack continuity. It really goes to show how much of a blast they were having making this. He did a wonderful job composing the soundtrack.
But, of course, the star of the movie, is of COURSE Jackie Gleason, who plays as Sheriff Buford T. Justice. Oh man, he was SO FUNNY in this film. In fact, most of his dialogue was completely improvised and wasn’t even actually in the script. The things he said during the movie? That was all him doing that on the fly, off the top of his head. His improv in this film was truly off the charts. He made that movie very special. In fact, you know that entire scene where Buford T. Justice and The Bandit run into a restaurant and have a nice, friendly chat, all the while Buford doesn’t even realize he’s talking to the very person he is after? Guess what? That was Jackie’s idea. That entire scene wasn’t even supposed to be in the movie. He came up with the idea himself, and as such, it was added to the film on Jackie’s request and he made that scene entirely his own. Well, lemme tell ya, that scene became one of the most important scenes of the film, and quite frankly, one of the funniest as well. If it weren’t for Jackie Gleason with his incredible improv, this film would have just been a mediocre ‘modern-day Western’. But, Jackie’s funny dialogue made the movie, he quite literally stole the show. His incredible talent in this film will never be matched. Ever. His improv was literally incredible. God, I miss him and his energy…
This is an absolute must-watch for any car/truck lover. You will absolutely love this film and have a good laugh!
I’m upvoting you on pure enthusiasm.
Agree 100%
When i was a kid, we did not have a tv, for many years. But my uncle did. And he had 2 movies on vhs? Smokey and the bandit. And the sting.
If there was bad weather we siblings and cousins often went there to watch one of those 2. Have probably seen the sting 20-30 times. But i would not be suprised if we saw the bandit a hundred times ;D
For me, it’s Poor Things. I watched it three times in a row, when it came out. First of all, it’s a perfectly executed movie for me, the style, the acting, the storytelling, Emma Stone. What makes it special for me, is that it embodies everything I like about my sexuality and I hope that humanity is heading in that direction of norm-breaking freedom of leading your life. Yorgos Lanthimos has a way of transporting a fresh view on possible paths for society.
Event Horizon. Hereditary/Midsommer may be close seconds.
Midsommer is one of those ones I struggle to watch. I get super empathetic and start tweaking out.
That’s fair, it is a bit tough. I really liked Hereditary, and Midsommer to a lesser extent. Then I watched a “complete guide” by Novum (YouTube). It’s literally 6:55:24, but I watched it over about a week while working. It definitely made me appreciate it even more.
Don’t know if it would help you watch it, but it was very interesting (although it dissects the whole movie, so it’s just a giant spoiler).
The Hereditary one is “only” 4.5 hours, but also worth watching if you liked Hereditary.
Holy shit… I would love to watch that. I can’t over state how well done the movie actually was, so I would love to learn more about it.
Event Horizon does just the right amount of showing you the horrific monster style stuff while also leaning almost completely on the “people are the real monsters”.
Sneakers