• Lettuce eat lettuce@lemmy.ml
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    2 months ago

    Artificial scarcity at its finest. Imagine recording a song digitally, then pretending there are a limited amount of copies of that song in existence. Then you sell an agreement to another person that says they have to pretend there is only a certain made up number of copies that they bought, and if they allow more than that number of people to listen to those copies at rhe same time, they will get sued for “stealing” additional pretend copies?

    I hope everybody can see how this is the insane and pathetic result of Capitalism’s unrelenting drive to commodify everything it possibly can in the pursuit of profit.

    As always, the solution is sailing the high seas. Throughout history, those who created or saved illegal copies/translations of literature and art were important to preserving and furthering human knowledge.

    Many incredibly powerful people, empires, and countries have tried very hard to suppress that, but they keep failing. You cannot suppress the human drive for curiosity and knowledge.

    • Ming@lemmy.dbzer0.com
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      2 months ago

      True, and the fleet is big and strong. There are many people seeding hundreds of terabytes of books/research papers/etc. The knowledge will not be lost. Yarr, can’t catch me in the high seas…

    • zzx@lemmy.world
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      2 months ago

      I had the same question. Here’s the answer:

      The Archive Team Warrior is a virtual archiving appliance. You can run it to help with the Archive Team archiving efforts. It will download sites and upload them to our archive—and it’s really easy to do!

      The warrior is a container running inside a virtual machine, so there is almost no security risk to your computer. (“Almost”, because in practice nothing is 100% secure.) The warrior will only use your bandwidth and some of your disk space, as well as some of your CPU and memory. It will get tasks from and report progress to the Tracker.

    • antonim@lemmy.dbzer0.com
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      2 months ago

      Yeah I’m wondering as well. It seems to save webpages, whereas the issue is with scanned books which may be removed from IA…

      • Grass@sh.itjust.works
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        2 months ago

        somehow I didn’t see anything above getting started. Looking again I don’t know how I missed it with the big logos unless they didn’t load and the rest was behind a notification or something.

  • MigratingtoLemmy@lemmy.world
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    2 months ago

    If OpenAI can get away with going through copy-righted material, then the answer to piracy is simple: round up a bunch of talented Devs from the internet who are writing and training AI models, and let’s make a fantastic model trained on what the internet archive has. Tell you what, let Mistral’s engineers lead that charge, and put an AGPL license on the project so that companies can’t fuck us over.

    I refuse to believe that nobody has thought of this yet

    • capital@lemmy.world
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      2 months ago

      We get it, y’all hate LLMs and the companies who make them.

      This comparison is disingenuous and I have to think you’re smart enough to know that, making this disinformation.

      If/when an LLM like ChatGPT spits out a full copy of training text, that’s considered a bug and is remediated fairly quickly. It’s not a feature.

      What IA was doing was sharing the full text as a feature.

      As far as I know, there are some court cases pending regarding determining if companies like Open AI are guilty of copyright infringement but I haven’t seen any convictions yet (happy to be corrected here).

      All that said, I love IA and have a Warrior container scheduled to run nightly to help contribute.

    • werefreeatlast@lemmy.world
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      2 months ago

      Better yet! Train an AI to re-write the books into brand new books and let us read, review the content, add notes etc so that the AI can refresh the books if we find errors.

      Kick the private collections to the curb! Teeth in like in American History X.

    • bandwidthcrisis@lemmy.world
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      2 months ago

      An AI trained on old Internet material would be like a synthetic Grandpa Simpson:

      “In my day we said ‘all your base’ and laughed all day long, because it took all day to download the video.”

  • bitwolf@lemmy.one
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    2 months ago

    Easy solution. Update the web-scraper they use to include an LLM. Then its for “training”

    • xenoclast@lemmy.world
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      2 months ago

      As long as they have a tech billionaire in charge they should be fine.

      They could also rename the project to: “The AI Archive” and add lots of buttons with multicolor gradients.

    • norimee@lemmy.world
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      2 months ago

      The archive isn’t completely dead with that yet. There is still a lot of free domain stuff and private uploads on there. A lot of public records too.

      And I think you can’t just randomly buy a .org domain, can you? You have to be officially a nonprofit.

      I remember for example couchsurfing had to change from a .org to .com when their tax exempt status was rejected by the irs and they went for profit.

      • Todd Bonzalez@lemm.ee
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        2 months ago

        The archive isn’t completely dead with that yet.

        They’ve just been sued into almost certain bankruptcy.

        And I think you can’t just randomly buy a .org domain, can you? You have to be officially a nonprofit.

        lol, no.

        .org just means “organization”. There are literally no rules on who can own one.

        4chan is a .org domain…

      • bamfic@lemmy.world
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        2 months ago

        Horse shit. I have had several org domains, some for over 20 years now, and never been a nonprofit

    • yessikg@lemmy.blahaj.zone
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      2 months ago

      Hope somebody buys it and starts using it as an LLM with investors since that’s apparently the only way to avoid a lawsuit

  • drislands@lemmy.world
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    2 months ago

    My understanding is that the IA had implemented a digital library, where they had (whether paid or not) some number of licenses for a selection of books. This implementation had DRM of some variety that meant you could only read the book while it was checked out. In theory, this means if the IA has 10 licenses of a book, only 10 people have a usable copy they borrowed from the IA at a time.

    And then the IA disabled the DRM system, somehow, and started limitlessly lending the books they had copies of to anyone that asked.

    I definitely don’t like the obnoxious copyright system in the USA, but what the IA did seems obviously wrong. Like if your local library got a copy of Book X and then when someone wanted to borrow it they just copied it right there and let you keep the copy.

    • eskimofry@lemmy.world
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      2 months ago

      Like if your local library got a copy of Book X and then when someone wanted to borrow it they just copied it right there and let you keep the copy.

      That’s how it works in the rest of the world.

      • accideath@lemmy.world
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        2 months ago

        Which was nice of them, but that doesn’t mean they should’ve done that, especially in the eyes of the law. (Also, if you’re after free ebooks, why are you pirating them on archive.org instead of libgen?)

          • accideath@lemmy.world
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            2 months ago

            Where did I say that find it good that they got sued or lost their appeal? I just said that the reason why they lost the appeal is because according to the law they’re bound to, what they did was wrong. And maybe they should’ve left that to a platform that enjoys a little more immunity from said law, because there are plenty of those. It was stupid of them. They painted an unnecessary target on their back that doesn’t help their cause and I‘d prefer them not to have to shut down at some point because I’m all for the Internet archive archiving anything and everything. They should’ve stayed a legitimate library and everything would have been fine and would have served their cause sufficiently well.

              • accideath@lemmy.world
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                2 months ago

                Ah, so you‘re one of those people that would be well at home at lemmygrad. And what fate are you talking about? Not getting sued?

    • finitebanjo@lemmy.world
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      2 months ago

      Wrong? No.

      Against the terms of agreements they made? Yes.

      Actions also protected by laws exempting nonprofits and archives from copyright restrictions? Also supposed to be yes.

      • drislands@lemmy.world
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        2 months ago

        Against the terms of agreements they made? Yes.

        To be fair, this is what I meant when I said wrong. Enough people have taken umbrage with my wording that I think I should update it, though. Thank you for your reply.

    • huiccewudu@lemmy.ca
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      2 months ago

      I definitely don’t like the obnoxious copyright system in the USA, but what the IA did seems obviously wrong.

      The publisher-plaintiffs did not prove the “obvious wrong” in this case, however US-based courts have a curious standard when it comes to the application of Fair Use doctrine. This case ultimately rested on the fourth, most significantly-weighted Fair Use standard in US-based courts: whether IA’s digital lending harmed publisher sales during the 3-month period of unlimited digital lending.

      Unfortunately, when it comes to this standard, the publisher-plaintiffs are not required to prove harm, rather only assert that harm has occurred. If they were required to prove harm they’d have to reveal sales figures for the 27 works under consideration–publishers will do anything to conceal this information and US-based courts defer to them. Therefore, IA was required to prove a negative claim–that digital lending did not hurt sales–without access to the empirical data (which in other legal contexts is shared during the discovery phase) required to prove this claim. IA offered the next best argument (see pp. 44-62 of the case document to check for yourself), but the data was deemed insufficient by the court.

      In other words, on the most important test of Fair Use doctrine, which this entire case ultimately pivoted upon, IA was expected to defend itself with one arm tied behind its back. That’s not ‘fair’ and the publishers did not prove ‘obvious’ harm, but the US-based courts are increasingly uninterested in these things.

      edited: page numbers on linked court document.

    • CondensedPossum@lemmy.world
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      2 months ago

      The time for arguing with people like you is over. If you want to mewl about “wrong” when these corpos and states are trying to restrict our access to culture, fine. Keep crying. You aren’t a contributor, you aren’t in charge, go cry.

  • HexesofVexes@lemmy.world
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    2 months ago

    Ah, I see we’re burning the Library of Alexandria again… Just as with last time, the survival of texts will rely upon copies.

  • Stern@lemmy.world
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    2 months ago

    Oh sure I want to read copyright books it’s an issue, but OpenAI does it and it’s vital to their business so they can keep going.

  • masterspace@lemmy.ca
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    2 months ago

    Fuck Copyright.

    A system for distributing information and rewarding it’s creators should not be one based on scarcity, given that it costs nothing to copy and distribute information.

    • snooggums@midwest.social
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      2 months ago

      It was fine when the limited duration was a reasonable number of years. Anything over 30 years max before being in the public domain is too long.

      • NauticalNoodle@lemmy.ml
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        2 months ago

        I personally like the idea that Copyright should be on par with design patent law. An initial filing 10-15yrs plus two additional opportunities to renew and extend it for 10 years if the creator can make supplementary creations that were dependent on and based off of the original works. -In the case of novels, that would equate to new sequels or prequels.

      • masterspace@lemmy.ca
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        2 months ago

        That was fine then, but it makes zero sense today.

        If a book is on sale widely to the public, and it costs nothing to copy and distribute that book to everyone, why shouldn’t we?

        The fundamental problem with copyright is it is a system that rewards creators by imposing artificial scarcity where there is no need for one. Capitalism is a system designed around things having value when they’re scarce, but information in a world of computers and the internet is inherently unscarce the instant it’s digitized. Copyright just means that we build all these giant DRM systems to impose scarcity on something that doesn’t need it so that we can still get creators paid a living.

        But a better system would for paying creators would be one of attribution and reward, where everyone can read whatever they want or stream whatever they want, and artists would be paid based on their number of views.

        • snooggums@midwest.social
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          2 months ago

          But a better system would for paying creators would be one of attribution and reward, where everyone can read whatever they want or stream whatever they want, and artists would be paid based on their number of views.

          Which would be enforced through copyright…

          • masterspace@lemmy.ca
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            2 months ago

            If you’re referring to copyright as the actual effective title as owner of the works then yes. If you’re referring to copyright as in our system if copyright == monopoly, then no.

            • Saik0@lemmy.saik0.com
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              2 months ago

              So if I own it… as the sole writer of some work. But don’t have a monopoly over how it’s used…

              What the fuck logic is that? Can you care to explain how I, as the owner of the work cannot impose whatever limits I want to it?

              • Doomsider@lemmy.world
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                2 months ago

                Sure, you don’t actually own it. The words you strung together are not actually yours nor is the grammar you strung it together with. The knowledge you used to create it is also not yours.

                The only way to ensure no one reads, borrows, or “steals” your work is to never share it with anyone and certainly never put it on the Internet.

                The only way to ensure it is truly yours is to never have participated in society, invent your own language, and of course hide it from ever being discovered.

                This is the only real way. You need to create in a vacuum and lock it up so no one will ever find it. Then and only then can it truly be yours.

              • masterspace@lemmy.ca
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                2 months ago

                This involves trying to imagine a system other than the one we currently use.

                The concept of exclusive ownership makes sense for material goods because if I have an object, you cannot have that object. If I want a copy of that object, it takes the same amount of resources as it took to make the original object. It’s a fundamental property of matter and energy, but information does not have the same properties. Information can be stored infinitely smally, and replicated for virtually nothing, as many times as you want.

                In the digital age, where every single person now has an incredibly powerful information processing machine that is networked to every single other one, it means that once information is digitized, it costs us virtually nothing to distribute it to everyone on earth who wants it.

                Copyright only exists, because once we started to be able to do this with early technologies like the printing press, vinyls, VHS, etc, it showed that you could rapidly drive the value of that work down to zero dollars, because in capitalism, thing only have value if they are scarce. Air is a necessity for everyone to live but it costs nothing because it’s all around us. It suddenly gets valuable in places where it’s scarce, but as long as it’s abundant, it has no value according capitalism. So continuing to allow the free copying of works meant that the original creators would never get rewarded. This made some sense at a time when it took months and a ton of resources to chop down trees, make paper, print a book, and ship it across the world and then get a response back regarding it.

                But now, in the digital age, we have all the tools we need to build a middle man free service that would allow everyone to watch or read anything, and reward the creators based on how much their works are used or viewed or remixed. It’s basically how music streaming services and the behind the scenes remix/sampling licensing deals work already, they just have a ton of corporate middle men taking profits at every step.

                In print media advertising driven models are hamfisted work arounds that do the same thing of providing the information to everyone, but again, with middle men that fuck the authors and ruin the experience for readers.

                It’s also not a crazy idea that once you create an idea you don’t get to exclusively own it. For the vast majority of human history, copyright did not exist, and the only way that stories and songs were passed on was through chains of people copying and retelling or resinging it.

                • Saik0@lemmy.saik0.com
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                  2 months ago

                  This involves trying to imagine a system other than the one we currently use.

                  No it doesn’t. Just because the work I created was done in paint or word doesn’t make it any less mine. Just because I could distribute it freely doesn’t make me obligated to. I am justified in asking for compensation and proposing limits on how it’s shared.

                  This is no different to printing the physical version of these works. I could print 10 copies of the book and tell my friends they cannot distribute it. Just the same I could send them an email with the works and say the same thing.

                  There is no difference here.

                  But now, in the digital age, we have all the tools we need to build a middle man free service that would allow everyone to watch or read anything, and reward the creators based on how much their works are used or viewed or remixed.

                  This has no logical basis in your response though. You’re saying that creators of works would have no say in how much a digital work is copied/transferred. How do you prove how much a work is even used/viewed? That would require heaps and loads of DRM management and to go after those who circumvent those measures… which takes money/infrastructure… and GASP That’s exactly what the publishers are doing now! Look at that!

      • FuzzyRedPanda@lemm.ee
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        2 months ago

        Yeah. In a better world where the US court system doesn’t get weaponized and rulings aren’t delayed for years or decades, I would argue 8 to 15 years is the reasonable number, depending on the type of information being copyrighted.

  • metaStatic@kbin.earth
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    2 months ago

    “We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books.”

    Unpopular opinion: They stepped out of their fucking lane. There are already laws that protect actual libraries, in fact most nations have laws to ensure libraries have access to all locally published works.

    One good thing to come of this is I’ve now joined my national and local libraries.

    • ArchRecord@lemm.ee
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      2 months ago

      The Internet Archive is a library.

      Not only are they a member of the Boston Library Consortium, but their entire operation is based around preserving not just webpages, but books, and other forms of media.

      They even offer loans of various materials to and from other libraries, and digitize & archive works from the Library of Congress, the Smithsonian, the New York Public Library, and more.

      To say the Internet Archive isn’t an “actual library,” and has “stepped out of their fucking lane” is ridiculous.

      This ruling doesn’t just affect the Internet Archive, it affects every single other library out there that wants to lend ebooks, and digitize their existing physical copies of books for digital lending.

      • conciselyverbose@sh.itjust.works
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        2 months ago

        Other libraries have licenses. And follow them.

        Internet archive digitized actual books and lent out copies (which was already 100% not legal under current law), then thought it was a good idea to just say “fuck it” and remove the thin veil of legitimacy that kept publishers from caring too much by removing the “one copy at a time per book” policy and daring the publishers to do something about it.

        • ArchRecord@lemm.ee
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          2 months ago

          They removed the one copy rule temporarily, during the pandemic, it’s now in place again. But the publishers have made any digitized lending illegal, not just more than one copy, any digitized lending. It is now illegal for them to scan and distribute even one single copy of any book.

          It was never a problem with the single-copy restriction, and the publishers didn’t bring up that restriction at all as the purpose of the suit, instead attacking the entirety of scanning & lending, even using Controlled Digital Lending (CDL) systems, like the Internet Archive, and other libraries use.

          Even regardless of that, the First-sale Doctrine enables all existing secondary markets for copyrighted material. It’s how you can lend a book to a friend, sell a used book after you’re finished it, or swap copies of a video game on disk with somebody.

          The Internet Archive is included in this. Changing the method of distribution (lending a digital copy vs a physical copy) has no functional distinction, and the publishers in the lawsuit were not able to demonstrate material harm, instead just stating that it wasn’t “fair use,” and should thus be illegal, regardless of the fact that they weren’t harmed by the supposedly non-fair use.

          And on top of that, fuck the law if it’s unjust. I don’t care if it’s supposedly (even if not true) “100% not legal under current law” to do, it should be, and this ruling is unjust.

          • conciselyverbose@sh.itjust.works
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            2 months ago

            Any digitized lending was always illegal.

            The law was abundantly clear. You cannot distribute wholesale copies of someone else’s work. Publishers didn’t bother because the scale was small and they didn’t want to take the PR hit for a scale that didn’t matter.

            The first sale doctrine, necessarily, can only possibly apply to a physical object. There is no such thing as a “single copy” of a digital object. Every time that “single copy” moves is a new copy. There is no legal framework in the US that even acknowledges the premise of a digital copy. It’s always a license.

            You need new laws to apply to the digital world. There is absolutely zero room for ambiguity that what the Internet archive did never in any way was protected. This ruling was a literal guarantee the minute the Internet Archive removed their (unambiguously not in any way legal) pretense of a “single copy”. There isn’t a court in the country that would even consider ruling any other way, because the law is well beyond clear. This ruling happened because the Internet Archive forced it to happen. If they had left open mass scale piracy to pirate sites they would have been fine.

            If their lawyers advised them that there was even a possibility that this argument could work, they should be disbarred. They would be better off spending their money on lobbying for better laws than pursuing a case less likely than winning the power ball jackpot 5 draws in a row.

            • ArchRecord@lemm.ee
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              2 months ago

              Any digitized lending was always illegal.

              the law is well beyond clear.

              I think Title 17, Chapter 108 of the U.S. Code would beg to differ. Digitized lending was always allowed, especially for libraries and archives. The only ambiguous part was the number of copies allowed to be digitized of any individual work, (many of the books the Internet Archive digitized only had one copy digitized and lent at any given time) so most of what the Internet Archive engaged in was fully legal under this code, and only a fraction of the 500 million titles that are now illegal to lend would have been affected, even though all 500 million can now not be legally lent due to this ruling.

              You need new laws to apply to the digital world.

              True, we can agree on that. We need new laws. Until that point, no change will happen if the boundaries are not pushed.

              I guarantee you there hasn’t been anywhere near the current level of momentum for the rights of libraries to lend digitized books any time prior to this court case. If the Internet Archive hadn’t done it in the first place, we would be in the same situation we’re in after this ruling.

              Them doing so pushes the issue forward.

              This ruling was a literal guarantee the minute the Internet Archive removed their (unambiguously not in any way legal) pretense of a “single copy”

              As I’ll say again, this was not the premise under which the publishers won this case. They won the case under the premise that any digitized lending was not transformative, and thus not “fair use,” even though it’s legal under other statutes. The number of copies held no bearing on the ruling.

              • conciselyverbose@sh.itjust.works
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                2 months ago

                Literally every digital “loan” is multiple separate, unrecoverable copies. That law is not about digital lending and cannot be applied to digital lending.

                All digital lending of copyrighted material without an explicit license to do so is copyright infringement, and it was always a guarantee that the ruling would happen.

                The removal of the “single copy” lie isn’t relevant to the legal status. It’s relevant because it forced the hands of the publishers to take action. There was never any possibility of any ruling but the obvious blanket “you can’t do that” that the law dictates, once IA forced them to take it to court.

                • ArchRecord@lemm.ee
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                  2 months ago

                  That law is not about digital lending and cannot be applied to digital lending.

                  That’s provably incorrect.

                  “it is not an infringement of copyright for a library or archives […] to reproduce no more than one copy or phonorecord of a work”

                  Title 17, USC 101 defines a copy as “…material objects, other than phonorecords, in which a work is fixed by any method now known or later developed, and from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device…

                  Digital replication falls under the legal definition of copying in the US Code, and is directly cited in the prior section of the code I reference in my last reply.

                  The Internet Archive’s loans also utilize DRM, a standard kind of software used by every other library out there to restrict further replication of copies. This same technology is in use with libraries who have contracts with publishers to directly download and publish digital copies of non-printed ebooks, which would violate that contract by not using DRM. The Internet Archive, without any express contract from publishers, is still implementing the strongest measures of protection that the publishers themselves would require whether or not content was directly licensed from them instead of being scanned in from a physical copy.

                  It’s relevant because it forced the hands of the publishers to take action.

                  Nothing forced them to do anything. These publishers voluntarily decided to file a lawsuit because of mounting pressure from libraries as a collective to stop charging insanely high prices on ebook rentals from publishers, which they saw as being undermined by the fact that the Internet Archive was able to still pay for the books in question, but lend them out in the same manner that physical books are already lent, just through a screen.

                  As I mentioned before, if the Internet Archive had never done this in the first place, public outcry would be practically nonexistent, and the Internet Archive wouldn’t be lending out those books at all, just like they’re not legally able to now. There is no difference to if they had or had not done this, other than the fact that it is now more visible in the public sphere, and has active legal challenges instead of being quietly subverted by regulation and practices publishers have continued to mount against all libraries to re-establish what it means to own a copyrighted work.

          • conciselyverbose@sh.itjust.works
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            2 months ago

            How about, instead of throwing a tantrum about the courts doing the only thing they had any authority to do, you spend your efforts lobbying to fix IP law?

            • Hydra_Fk@reddthat.com
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              2 months ago

              Yeah because that has ever changed anything. I’ll just keep voting harder while I’m at it.

              • PeachMan@lemmy.world
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                2 months ago

                Accusing somebody else of licking the boot, while you’re having the same boot ground in your face and just acting like it’s no big deal, not a problem.

    • SkaveRat@discuss.tchncs.de
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      2 months ago

      Agreed. While a noble cause, it was honestly predictable.

      I don’t understand why they did that. Their status was already quite shaky. They really shot themselves and their users in the foot

  • ZILtoid1991@lemmy.world
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    2 months ago

    They need to rename themselves “Intelligent Archive” then claim they’re an AI service that can just happen to regenerate whole books.