• mozz@mbin.grits.dev
    link
    fedilink
    arrow-up
    0
    ·
    6 months ago

    Maybe not directly related, but this talk makes to me a very compelling point about how magic should work in satisfying fiction.

    “The Last Unicorn” has magic that works this way, and it’s pretty good.

    • psud@aussie.zone
      link
      fedilink
      arrow-up
      0
      ·
      6 months ago

      Sure, but in a ttrpg you need a system or spell casting classes will dominate too much

    • stoneparchment@possumpat.io
      link
      fedilink
      arrow-up
      0
      ·
      6 months ago

      I feel like this is true if the reader is meant to have the perspective of the person who feels that something is magic (the Hobbits, in the example from your video). However, not all magic in fiction is like this, and sometimes the reader is supposed to mostly have the perspective of Galadriel, or to gain her perspective over time.

      An example is Lev Grossman’s The Magicians. The reader has the perspective of the Hobbits at first, because that is the perspective of the main character. But the story has themes of “lifting the veil” of magic, and by the end both the main character and the reader have a more similar perspective to Galadriel.

      I guess what I mean is, I agree with you and the video’s author in large part… but like… to broadly say that magic “should” be used in literature in a certain way ignores how it can be used in different ways to great effect!

  • Infynis@midwest.social
    link
    fedilink
    English
    arrow-up
    0
    ·
    6 months ago

    You can also interrupt a cast by preventing the caster from providing one of the components of the spell

    • Kayana@ttrpg.network
      link
      fedilink
      arrow-up
      0
      ·
      6 months ago

      Funnily enough, in D&D 5E that wizard explicitly can cast that spell (if you’re equating Power Word Kill to Avada Kedavra)

  • therealjcdenton@lemmy.zip
    link
    fedilink
    English
    arrow-up
    0
    ·
    6 months ago

    Why does it have blue hair? I don’t think hair dye exists in a medieval world, or at least and easily accessible one

    • Honytawk@lemmy.zip
      link
      fedilink
      arrow-up
      0
      ·
      6 months ago

      It isn’t a medieval world though.

      It is a fantasy world that merely resembles medieval Europe. You can see this in the way she cast freaking magic.

      And even back then people dyed their hairs, yes including blue.

      • TwilightVulpine@kbin.social
        link
        fedilink
        arrow-up
        0
        ·
        6 months ago

        It’s so funny when people get caught up with things like that.

        It’s also funny but a little sad when people’s expectations of how colorful ancient times ought to be, or rather shouldn’t be, create standards of “realism” that are completely opposite to how history really was.

        • squeakycat@lemmy.ml
          link
          fedilink
          arrow-up
          0
          ·
          6 months ago

          If you are going to write, say, fantasy - stop reading fantasy. You’ve already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you’re going to do is recycle the same old stuff and move it around a bit.

          -Terry Pratchett

    • apotheotic (she/her)@beehaw.org
      link
      fedilink
      English
      arrow-up
      0
      ·
      6 months ago

      “It” might not even be human, and could be part of a species that naturally has blue hair pigment.

      “It” is also a fantasy character casting magic spells - it wouldn’t be far fetched that aesthetic magic exists.